How A Con Man and A Forger Rewrote the History of Modern Art

Book - 2009
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The extraordinary narrative of one of the most far-reaching and elaborate deceptions in art history. Investigative reporters Laney Salisbury and Aly Sujo brilliantly recount the tale of a great con man and unforgettable villain, John Drewe, and his sometimes unwitting accomplices. His story stretches from London to Paris to New York, from Manhattan art galleries to the archives of the Tate Gallery. Provenance reads like a well-plotted thriller, filled with unforgettable characters and told at a break-neck pace.
Publisher: New York : Penguin Press, c2009
ISBN: 9781594202209
Branch Call Number: ANF 364.163 SAL
Characteristics: xv, 327 p. ; 25 cm
Additional Contributors: Sujo, Aly


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Aug 15, 2016

This is a tremendous portrait of a thief, in this particular case the mastermind of a series of art forgeries, who may also be a murderer. The writing can be tedious at times, as it is necessary to present an all-encompassing portrayal of the thief and his activities. The reportage is masterful in that it is never exaggerated, a common failing today to make the predators more interesting.
The question posed several times by the fellow who actually does the forgeries gets to the quintessential point: this is official fraud, as opposed to unofficial fraud!
[We witness unofficial fraud everyday in America, the Darryl Issas, John McCains, those who pose as progressives while replacing American workers with foreign visa workers {Jim McDermott, co-founder of the India Caucus in congress}, et cetera.]
Interesting study mentioned in this book, also:

Dec 15, 2012

Don't be confused by the previous (confused) comment. This is non-fiction, with lots of source material, but it's also a very good read. The villain is wonderfully over-the-top, a pathological liar who fronts a modern art forgery ring largely for the intellectual thrill of creating false paper trails for brand new fakes. No images, which is a shame, but a well-told tale.

CookingFrog Dec 03, 2012

Could have been great, but the authors erred in not clearly picking a style. If it is fiction, it should read like a thriller and it does not, there is no suspense and it reads like a chronological research report.
So if it is written in an accurate, sometimes quite winded fashion, then it should be non-fiction, and we should know all the facts and the sources.
With this book, the reader has to put up with the length of an academic work, but misses the fun of reading a good thriller, without getting true information.
Still gave it three stars because there are lots of flavorful vignettes about the "art world" and its corruption. The lesson is "trust no-one"! especially not art benefactors, nor distracted artists.

LMcShaneCLE Sep 04, 2012

Reads like one of the BBC mystery theater productions. Fascinating.

May 06, 2012

Describes art forgery ring in the late 80's to early 90's. The leader of the ring forged the provenance which made the deception more difficult to uncover. The book is well paced and reads like a mystery fiction, excerpt you know whodunnit. If you enjoy art this is an excellent book to read.

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