Summary

Internationally renowned and hunky Harvard professor of symbology Robert Langdon is once again at the center of an art-related plot, this time by a narcissistic virologist who has hidden his plan to destroy humanity in the seminal work of Dante. Oh, stop, you know you want to read this. Unfortunately, like most of Brown's other books, this is quite short on plot and heavy on running. One thing I noticed is Brown paces his books like really long TV shows: each chapter is a short scene which ends with a little cliff-hanger. Would only recommend this to people who *really* like Brown's books.